Jess Baines looks back at London’s printmaking workshops of the 1960s and 70s, DIY sites of political and community activism that rejected the role of the artist to participate in a network of campaign groups, radical publishers and distributors.
sergio polano online
Jess Baines looks back at London’s printmaking workshops of the 1960s and 70s, DIY sites of political and community activism that rejected the role of the artist to participate in a network of campaign groups, radical publishers and distributors.
La mia principale attività in rete è il sito/blog di CASABELLA: lo conoscete?
RSS feed dei commenti a questo articolo. / TrackBack URI